So here is my opinion: 1. The gui is very intuitive but very complex, too. You get fast results if you know what you do. If you don't know what you do, look in the manual or buy a synths that isnt as complex as synthmaster! If you wanna have a gui like Diva, buy Diva! I think, these people go into an Adidas-Shop and say they want a shirt that looks like nike, too. Or they buy a Pc and complain that the PC is much more complicated than the pocket calculator they used so many years without any problems and without reading a manual.
To me synthmaster is one of the best surprises I have ever found while researching vsti's and if you love prog rock you may find its the best vsti available and the cream of the crop for those of you who love progressive music.
Kv331 Synthmaster 2.5 Crack 19
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Seriously where have you been if you haven't heard about synthmaster. It's been winning awards and accolades in computer music magazine as its synth of the year and BEAT magazine had it at number 3 but primarily for the other forms of music it excels at helping musicians create because powerful software like this is fully capable of being used for that awful EDM and trance music. Hey guys don't let that fool you this software does prog rock at a very high level. Seriously people if prog rock is your cup of tea the ability to play an instrument and create beautiful masterpieces takes a foundation of bread and butter sounds.
G Forces minimonsta has a lot of Wakemans moog presets in it but its considerably more expensive and it doesn't offer you any mellotron, hammond organs or solina strings like synthmaster does while also knocking off the moog signature tones of wakeman and other synth greats.
If your into prog synthmaster can help you to get the sounds of these great bands of the past. If you want to use these presets as models of greatness to build off of and make your own signature sounds then tweaking this software is something you are going to want to learn how to do and it is an easy to tweak synth from the looks of things. I have a thing for using the controls of filters to try and get moogy and this synth lets me do that but what really is special is its organ patches in the art rock preset collection that Nori created.
Trust me if you guys love prog rock and your not buying synthmaster your going to be spending a lot more going a different direction, so why not just get this one first and see if I'm right you can always add others as you feel the need if you even feel the need to. It worked out that way for me and I bet you find it solves a lot of problems for you by providing more sounds that are useful and a part of the history of prog rock. You really can't find a better deal on a synth that covers so much ground for so little money.
Synthmaster is already the best choice for bargain conscious musicians that need to sound great and do so on a budget. I already use Sonar producer and will upgrade to x2 from x1 this week with what I saved not having to buy all those other synths I was thinking of getting. Its not like I'm unfamiliar with other synths on the market I have other synths to compare synthmaster to and if your familiar with Z3ta and other CW synths you know that they rock as well and I own VI one as well and synthmasters quality is every bit as good as those and then some simply because of the fact they have a top notch sound designer. Nori is probably the best in the industry. Keep that guy happy KV331 and get him busy designing more prog rock patches because that is what I want to see coming from you guys. I never dreamed one synth could do so much but I'm a major believer now. This is the one synth to rule them all.
So in conclusion, everyone should have one monster synth, and for me it's this one. I know that there are going to be things I realize I can do with synthmaster in the future that excite me, and being a bit of a gear junkie.. that's great. I can remind myself that I'm forever going to be discovering new sounds without having to actually buy a new synth. I could write pages more about this synth, but I'm going to stop here, check it out for yourself!
am new to synthmaster; i played with the demo...and now own the plugin (AND the rob lee soundbanks). so synthmaster passed my 'acid test', and joins my 3 other main synths (sylenth1, dune, and zebra).
more than anything else (architecture, the GUI, features, etc), i care about the SOUND. and synthmaster sounds amazing. there is depth and color in the sound; i love that, some plugins seem very flat, or grey, to me.
it does have lots of menu and selections.. the are thousands of options to mangle sounds but it gets kinda confusing some times.. i tend to prefer single window synths but this is not applicable in synthmaster since it incorporates a huge amount of options.
I think that Synthmaster is one of the best software synthesizer options available for the user that wants to limit the size of his or her toolbox, in order to specialize/get the most out of what they have-Quite frankly: If there is a more versatile, great-sounding soft synth out there, that is constantly refined and improved by an approachable developer here at KVR (kv331), I am unaware.
great organs and trons in that preset pack but if you are into YES, Genesis, Pink Floyd, ELP and other prog rock greats then Nori has other preset banks you will want and these alone make it worth getting synthmaster and in fact it being a true desert island synth if you could only have one this is it.
1. Multi-Stage LFOs (Mstg1+2) These are actually very powerful tools and helpers. Actually. It turned out, in Synthmaster they are completely useless. At least if your trying to create something else than insane and random chaos in your sound. NI Massive uses this kind of LFOs to achieve accurate sequencing of varying filter sweeps and wobbles for example. Those typical moving and driving dubstep sounds you can enjoy by pressing a single key. If you try to do something like this in Synthmaster, you'll find yourself very soon near a mental crack-up. Absolutely nothing on these LFOs makes any sense or works like expected. Manual timing doesn't work because of the above mentioned rough parameter handling, so you're unable to set accurate timing by hand. Using the Sync option also has absolutely no effect. What you get then, is a kinda grid, that doesn't make any sense at all, nor obviously is related to accurate host timing. Activating the Sync option also doesn't tell you, what you are synced to now. 1/1? Per single field of the grid? 1/16, 1/8? Per loop points? How do I set the speed of these LFOs? None knows and meanwhile having tried everything I can imagine, I'd actually think, these LFOs are synced to the moon phase of some random planet far far away, or maybe your neighbours VST host tempo, inverted and divided by Pi. Adding "Stages" in these LFOs adds spline curves, with absolutely no relation to the synced timing. Start & End of the loop are related to what? The stages? Sync Points? Again something none knows, because their settings lead to results, that don't make any sense at all. Using two Stages and setting the Loop start to 1 and End to 2, with infinite loops should actually repeat these two stages then, right? Well, it doesn't. Setting the end to 3 does, so this might be related to the Stages end points. Maybe. But then, even with Sync enabled and considering the Stages end points, your totally unable to get a synced sound.
Each and every synced wobble sound with varying speeds you get on synthmaster will be out of sync. And it's not the sound designers fault. It's a pure Synthmaster problem. I've also reported this as a bug and got the response, the sound designers hadn't complained about this yet. Well, I'd guess it's about time then.
The passion kv331/Bulent works with and the frequency he provides enhancements and updates with, makes me feel confident to give Synthmaster 11/10 with my next review in a while. ;))) Okay, that was kinda bootlicking. :-D.
I am having some exxxxxxtremely annoying issues with this synth, which really pains me because i am trying to master this synth and make it my go-to. One glaring issue i am having right now is that i am copying the patch FX Tri-Pipe by Insigna to study. I have copied every parameter, and i mean eeevvvry parameter exactly the same as the original but my patch sounds a lot duller in comparison. One thing i am noticing is when i copy the parameters for the easy controls, the settings to not match up at all. In the original they are set to (+) modulation as are mine but for example my delay wont start affecting the sound till the knob is at 50% and passed that the delay cascades like crazy, whereas in the original the delay begins affecting the sound withing the first 50%. Does this have anything to do with the way the Dry/Wet settings are set prior to assigning the easy controls? Could somebody else please try to copy this patch and get back to me cuz i am literally dieing right now haha. I can't figure this out and i feel like i've wasted so much time programming on a faulty synth. another thing that happened when i was building this sound is that the original sound completely disapeared and all that was left was reverb, regardless of the dry/wet setting. did not work again till i reopened synthmaster. And when i try to map an ADSR envelope to the frequency of the multiband eq in order to sweep the band, synthmaster crashes, as soon as i select the envelope as a modulator. Your help is greatly appreciated, i want this to be my favorite synth again... I am pretty sure i am using the latest update 2.6.3, is there a way i can tell from the GUI? and i am using the current generation 15 macbook bro, fully loaded.
Id like to say first of all, synthmaster sounds excellent. Its great for electro. I find that synthmaster is tedious to program because theres of little buttons to push. It would be nice if buttons wre consolidated and larger. It freezes on me and takes lots of CPU. 2ff7e9595c
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